![]() ![]() You would then apply either the glow filter to the mask, giving it a saturated color to fall off to or you build your glow using multiple copies of the enlarged mask with varying degrees of blur applied and layered with with the Add transfer mode.Īssuming you’ve pre-comped or pre-written your grown/stroked mask to disc, working in a 32bit, linear light project, the logic for a composite might look something like this: A copy of the key mask for the foreground subjects either has a ‘stroke’ applied, which grows it out by some number of pixels, or has parameters applied to the matte choker effect to grow, rather than shrink, a copy of the mask.
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